About Composer Chandler’s Mentor – The Iconic George David Weiss

PRICELESS = is this thank you from the President of the SONGWRITERS GUILD of AMERICA. The FAMED COMPOSER … GEORGE DAVID WEISS. Why? What for? The NYC based writer asked for us to help him bring a SGA Seminar here … to our hometown … Cleveland.
We said “Yes!”. Who would say “No” to the man who co-wrote … the ICONIC … “WHAT A WONDERFUL WORLD”.
The song also happened to be a signature song … for another of our MUTUAL FAVORITE FRIENDS. The LEGENDARY LOUIS “SATCHMO” ARMSTRONG. Alas the Universe would unite another couple of creative-types. (more to be written here later …)

Click on the Link to learn more about song titled, “What a Wonderful World” …

https://en.wikipedia.org/wiki/What_a_Wonderful_World

Click on the LINKS … to learn more about George David Weiss …

https://www.namm.org/library/oral-history/george-david-weiss

https://www.songhall.org/profile/George_David_Weiss

https://en.wikipedia.org/wiki/George_David_Weiss

“What A Wonderful World” because of you, George David Weiss. GDW wrote some of the most popular pop songs of the ’40s, ’50s, & ’60s. He worked with many collaborators, but a large number of his well-known songs were written with Bennie Benjamin. Some of their songs, include “Rumors Are Flying” (’46, Frankie Carle, Les Paul), “Surrender” (’46, Perry Como), “Confess” (’48, Patti Page), “I Don’t See Me In Your Eyes Anymore” (’49, Gordon Jenkins), “Can Anyone Explain? (No! No! No!)” (’50, Ames Brothers, Ray Anthony), “Echoes” (’50, Jo Stafford & Gordon MacRae), “I’ll Never Be Free” (’50, Ella Fitzgerald and Louis Jordan, Kay Starr), “To Think You’ve Chosen Me” (’50, Eddy Howard), “I Ran All the Way Home” (’51, Sarah Vaughan), “Jet” (’51, Nat “King” Cole), “Wheel of Fortune” (’52, Kay Starr), “Cross Over the Bridge” (’54, Patti Page), and “How Important Can It Be?” (’55, Joni James).

Weiss also had successful song hits with other composers. That list includes “Lullaby of Birdland” (’52, with George Shearing), “Can’t Help Falling In Love” (’61, with Hugo Peretti and Luigi Creatore, recorded by Elvis , “What A Wonderful World” (’67, with Bob Thiele, recorded by Louis Armstrong), “The Lion Sleeps Tonight” (’61, with Peretti and Creatore, recorded by the Tokens), and “That Sunday, That Summer” (’63, with Joe Sherman, recorded by Nat “King” Cole). Weiss’ movie scores include Murder, Inc. (’60), Gidget Goes to Rome (’63), Mediterranean Holiday (’64), and Mademoiselle (’66).

Weiss collaborated on three Broadway musicals. The first, Mr. Wonderful (’56, with Jerry Bock and Larry Holofcener), starred Sammy Davis, Jr. and featured the title song as well as “Too Close For Comfort.”The others were First Impressions, based on Jane Austen’s Pride and Prejudice (’59, with Robert Goldman and Glenn Paxton), and Maggie Flynn ’68, with Peretti and Creatore), set in New York during the Civil War, which starred Shirley Jones and Jack Cassidy.Weiss and Will Severin composed the family musical, A Tale of Cinderella, which premiered in December ’94 at the Theater Institute in Troy, New York and filmed for PBS.

Weiss had been president of the Songwriters Guild of America for many years.

Thank you for being a Light. 

Liz Chandler, Website Writer